![]() I worked with a partner who cut on Final Cut Pro. I think it sounds flexible compared to some of the other NLE's. Put them in the preference folder, and the great symphony will operate just like your desktop. Save your preferences, and take them with you when you go into a finishing suite. Program shortcuts and macros anywhere on your keyboard. Don't like the colors of timeline tracks? Change them. Like your timeline on top, monitors on the left and bins on the right? Move them anywhere you want. Don't like the keyboard to trim? Use the mouse. ![]() Don't like "source and record monitors? Uses a single monitor. Considering the interface is pretty much customizable. "Rigid and structured" Interesting words. We can only hope that they are working on a software only version for the rest of us. It also is possibly the only true non-linear editing system.īefore aiming both barrels at me take a look at the demo videos and forget about the current editing model. The interface is unique, fast and extremely easy to use. I have trained editors on the Lightworks in 1 to 2 hours. ![]() Editing interfaces however are unique and different. Jaleo is back (after being on the edge for a couple of years) So is Lightworks (However these systems are out of the reach of mere mortals. ![]() But except for a couple of companies the editing interfaces are all the same. An a shift in edit interfaces needs to happen.Ī few have started on the hardware front, with leverging the power of the graphics cards for FX. Use of the higher powered hardware that is now available in computers. Computer based editing needs to come out of the dark ages. At one time this was the only way to edit video on a computer. AVID has had complex hardware for their high end systems since the beginning. ![]()
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